So what makes a movie gay if it isn’t explicitly? Cast a few top-shelf gay icons in there - your Bette Middlers, your Joan Crawfords, your Faye Dunaways playing Joan Crawford - and especially have them reparteeing bitchy lines tearing each other to pieces, and have an aesthetic that’s outre and unironically camp, and you’ve got the winning-formula starter-pack for something deliciously fabulous and queer, even if not by intentional design. ![]() ![]() If “Barbie” tells us anything, it’s that a movie doesn’t have to be gay to be, well, gay.
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